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Galfimbul
Roberto Fega / Un Geco Nella Mia Casa
Жанр: Electronic, Electroacoustic, Avant-Garde, Creative Sources Носитель: CD Страна-производитель диска (релиза): Portugal Год издания: 2007 Издатель (лейбл): Creative Sources Номер по каталогу: cs 107 cd Страна исполнителя (группы): Italy Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:47:16 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист: 1. Solitudine E Giochi D'Amore 2. Graffiante 3. Identita Evaporate 4. La Serenita Del Dubbio 5. Rifaccio Il Bucato (Paolo Angeli Remix) 6. La Storia Rubata 7. Insurgente 8. Quando La Cadillac Si Fermera
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 10. December 2014, 22:20
Roberto Fega / Un Geco Nella Mia Casa
Used drive : PIONEER DVD-RW DVR-115D Adapter: 0 ID: 0
Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : No
Read offset correction : 48Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Installed external ASPI interfaceGap handling : Appended to previous track
Used output format : User Defined EncoderSelected bitrate : 768 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exeAdditional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest%
REM GENRE "Electronic Avant-Garde"REM DATE 2007REM DISCID 530B1308REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Roberto Fega"TITLE "Un Geco Nella Mia Casa"FILE "01 - Solitudine E Giochi D'Amore.wav" WAVE TRACK 01 AUDIO TITLE "Solitudine E Giochi D'Amore" PERFORMER "Roberto Fega" INDEX 01 00:00:00FILE "02 - Graffiante.wav" WAVE TRACK 02 AUDIO TITLE "Graffiante" PERFORMER "Roberto Fega" INDEX 01 00:00:00FILE "03 - Identita Evaporate.wav" WAVE TRACK 03 AUDIO TITLE "Identita Evaporate" PERFORMER "Roberto Fega" INDEX 01 00:00:00FILE "04 - La Serenita Del Dubbio.wav" WAVE TRACK 04 AUDIO TITLE "La Serenita Del Dubbio" PERFORMER "Roberto Fega" INDEX 01 00:00:00FILE "05 - Rifaccio Il Bucato (Paolo Angeli Remix).wav" WAVE TRACK 05 AUDIO TITLE "Rifaccio Il Bucato (Paolo Angeli Remix)" PERFORMER "Roberto Fega" INDEX 01 00:00:00FILE "06 - La Storia Rubata.wav" WAVE TRACK 06 AUDIO TITLE "La Storia Rubata" PERFORMER "Roberto Fega" INDEX 01 00:00:00FILE "07 - Insurgente.wav" WAVE TRACK 07 AUDIO TITLE "Insurgente" PERFORMER "Roberto Fega" INDEX 01 00:00:00FILE "08 - Quando La Cadillac Si Fermera.wav" WAVE TRACK 08 AUDIO TITLE "Quando La Cadillac Si Fermera" PERFORMER "Roberto Fega" INDEX 01 00:00:00
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. Solitudine E Giochi D'Amore.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Processing file: [08. Quando La Cadillac Si Fermera.wav]
------------------------------------------------------------This track looks like CDDA with probability 100%
------------------------------------------------------------Final Conclusion:------------------------------------------------------------These tracks looks like CDDA with probability 100%
Доп. информация:
Recorded between November 2003 and February 2004
Thanks: Taxonomy, Ale Sordi, Titubanda, CSOA Ex-Snia Viscosa, La Capagira and Mio Cognato (especially O'professore), Il Miracolo, Ilaria Fanciullo, Federica Santoro, muscles and Salento, Orsola, TPol, Lacrima di Morro D'Alba, Pigneto's partisans, il Calvados.
Un Geco Nella Mia Casa augurs some of the social and philosophical implications of the aestheticizing of viral breakdown and digital distress. Any sort of magnetic distance between elements is depolarized and a grand liquidity, strangeness, and unreality abounds, sparkling in its venality. There is a frisson of excitement evident in the playing with of all these hieroglyphs of digital dysfunction. This is reflected sonically, in the scrapes, pointillist percussion, disjointed metal, dulled, toxic drones, metamorphoses, and small moments of prolapse. At first blush, the music seems shaggy and boneless, as randomly distributed as bits of rubbish thrown together, only accidentally cohering here and there. Indeed, a certain pleasure is taken in the accidental, in a cruel, arbitrary order, but further investigation affords an appreciation for the sheer audacity of this seeming indifference and self-denial, which better enables things to hang together so loosely, and thus making these recordings feel foreign, as though constructed in accordance to some other, less discernible order. The aestheticizing in question also turns these sparsely rhythmic and textural palette's toward ends of a more traditional sort. During tracks such as "La storia rubata" and "Quando la cadillac si fermera" Fega and the other players tend toward a dense and cerebral complexity, with electronic patina's wrinkled with squiggles of lightning finger dexterity and string curlicues, painted with a subtle control of volume, timbre, and delay. This approach enables Fega to map correlations and significant divergences between these two realms, the end result being a supreme equilibrium fraught with spasms and convulsions. It's broken only by the odd piece, specifically "Insurgente", which includes a spoken word gambit, rubbing desperately up alongside sustained grainy multiphonics and some pensive grinding on cello. Here the album betrays its own principles, allowing them to be buried beneath a veneer of idiomatic pastiche. Other pieces exceed their own basic forms, generally by scraping and ebbing sparely, rising periodically to high tides of irate (musical) disagreement, then waning into near silent probing, and they are all a good deal more successful for it. Such pieces generally being the rule, Un Geco Nella Mia Casa shows that sound, virtuosity, and concept are now in the ascendant. - Max Schaefer, SquidsEar