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d:\>d:\aucdtect -d/-m0 d:\zzz\*.wavauCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.------------------------------------------------------------Processing file: [01. 3 Phase.wav]

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------------------------------------------------------------Processing file: [02. A Pound of Flesh.wav]

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------------------------------------------------------------Processing file: [03. A Small Prometheus.wav]

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------------------------------------------------------------Processing file: [04. Dark Rain.wav]

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------------------------------------------------------------Processing file: [05. Antlers.wav]

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------------------------------------------------------------Processing file: [06. Through Sky.wav]

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Similar to Connected, Robin Fox's 2012 album produced in collaboration with Oren Ambarchi, A Small Prometheus was originally composed as the soundtrack to a dance work. Choreographer Stephanie Lake's production A Small Prometheus is themed around dissipating heat and combustion, and the dancers seem to be convulsing and constantly losing control. Fox's score isn't as chaotic and random-seeming as his excellent 2010 album A Handful of Automation; his work here is more subtle, but very tense, slowly building up hissing drones and out-of-phase throbbing rhythms, and inserting sharp bursts of feedback noise. It never outright explodes, but it does seem to smolder, emitting a thick cloud of toxic fumes. The album's most mind-altering journey is the 11-minute "Antlers," which seems to slowly slide upwards through a rotating tunnel. Elsewhere, the album feels like a haunted walk through a dark, windy rainstorm on a particularly chilling night. - Paul Simpson, AMG

"Following his last solo release on Editions Mego in 2010 ‘A Handful of Automation’, Robin Fox returns with ‘A Small Prometheus’, a significant new work which exposes a very different audio world to that previously encountered. In the intervening period Fox has been highly active with his widely acclaimed RGB (red, green, blue) laser show along with a recent collaboration with Atom ™: ‘Double Vision’ which premiered at Unsound festival in 2014. ‘A Small Prometheus’ was developed as a soundtrack to a dance work of the same name co-created with Australian choreographer Stephanie Lake. The outline here was to explore the themes of combustion and heat dissipating in various physical systems.. Greatly extending the language of his creative output Fox constructs a synthesis of electronic and acoustic sources creating a deeply nuanced excursion through space and time, timbre and texture. There is a subtle intensity to the works here, ‘A Pound of Flesh’ is an industrial strength spiralling drone, intoxicating, disorientating, ‘Antlers’ takes the listener on an eleven minute ride through a vortex of pulsing and swirling electronics whilst the title track is an unnerving combination of distressed field recordings, closed mic’d crackle and a foreboding distant pulse. ‘Through Sky’ starts out with a slow menacing rhythmic backbone which hosts an arsenal of small sounds until a certain wind supplants all in an admirable and somewhat haunted exchange.
With it’s combination of vast caverns, spiraling counterflows and microscopic investigations Fox has opened up a new world of sound in his personally trajectory and one most unlike others existing anywhere in the present day." - Boomkat