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Galfimbul
Electric Forgiveness / Echos & Booms Жанр: Electronic / Ambient / Experimental Носитель: CD Год издания: 2008 Страна исполнителя (группы): United Kingdom Аудиокодек: FLAC (*.flac) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 1:16:41 Источник (релизер): ringo13 Наличие сканов в содержимом раздачи: нет 01. In my mind I'm going to California (3:24) 02. The escape (2:28) 03. Tangerine dreams (1:37) 04. Intrigue at the peach house (3:26) 05. Gilmour was pink (2:29) 06. MBA on LSD (7:19) 07. Eno the disco (4:09) 08. Valentine from a Porcupine (7:37) 09. Morphine Jello (4:27) 10. Syd Barrett blues (3:48) 11. Stiglitz (3:56) 12. Some of them chew the bark off tears (6:18) 13. Britney Spears swallowed me tears (8:51) 14. Dark side of the sun (3:45) 15. The escape (running with Satriani mix) (2:34) 16. In my mind I'm going to California (forget the guitar mix) (3:20) 17. Intrigue at the peach house (answer the Doors mix) (3:21) 18. Dark side of the sun (Looking for Hackett mix) (3:50)
Exact Audio Copy V1.0 beta 4 from 7. December 2014
Отчёт EAC об извлечении, выполненном 9. февраля 2018, 21:16
Electric Forgiveness / Echos & Booms
Дисковод: HL-DT-STDVDRAM GU71N Adapter: 1 ID: 0
Режим чтения : ДостоверностьИспользование точного потока : ДаОтключение кэша аудио : ДаИспользование указателей C2 : Нет
Коррекция смещения при чтении : 6Способность читать области Lead-in и Lead-out : НетЗаполнение пропущенных сэмплов тишиной : ДаУдаление блоков с тишиной в начале и конце : НетПри вычислениях CRC использовались нулевые сэмплы : ДаИнтерфейс : Встроенный Win32-интерфейс для Win NT/2000
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Имя файла D:\Users\User\Documents\Electric Forgiveness - Echos & Booms.wav
Пиковый уровень 100.0 % Скорость извлечения 5.4 X Качество диапазона 99.9 % CRC теста 07AD65F1 CRC копии 07AD65F1 Копирование... OK
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REM GENRE "Progressive Rock"REM DATE 2008REM DISCID F411F812REM COMMENT "ExactAudioCopy v1.0b4"PERFORMER "Electric Forgiveness"TITLE "Echos & Booms"FILE "Electric Forgiveness - Echos & Booms.flac" WAVE TRACK 01 AUDIO TITLE "In my mind I'm going to California" PERFORMER "Electric Forgiveness" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "The escape" PERFORMER "Electric Forgiveness" INDEX 01 03:23:74 TRACK 03 AUDIO TITLE "Tangerine dreams" PERFORMER "Electric Forgiveness" INDEX 01 05:52:35 TRACK 04 AUDIO TITLE "Intrigue at the peach house" PERFORMER "Electric Forgiveness" INDEX 01 07:29:30 TRACK 05 AUDIO TITLE "Gilmour was pink" PERFORMER "Electric Forgiveness" INDEX 01 10:54:68 TRACK 06 AUDIO TITLE "MBA on LSD" PERFORMER "Electric Forgiveness" INDEX 01 13:24:17 TRACK 07 AUDIO TITLE "Eno the disco" PERFORMER "Electric Forgiveness" INDEX 01 20:43:12 TRACK 08 AUDIO TITLE "Valentine from a Porcupine" PERFORMER "Electric Forgiveness" INDEX 01 24:51:50 TRACK 09 AUDIO TITLE "Morphine Jello" PERFORMER "Electric Forgiveness" INDEX 01 32:28:62 TRACK 10 AUDIO TITLE "Syd Barrett blues" PERFORMER "Electric Forgiveness" INDEX 01 36:55:41 TRACK 11 AUDIO TITLE "Stiglitz" PERFORMER "Electric Forgiveness" INDEX 01 40:43:33 TRACK 12 AUDIO TITLE "Some of them chew the bark off tears" PERFORMER "Electric Forgiveness" INDEX 01 44:39:62 TRACK 13 AUDIO TITLE "Britney Spears swallowed me tears" PERFORMER "Electric Forgiveness" INDEX 01 50:58:24 TRACK 14 AUDIO TITLE "Dark side of the sun" PERFORMER "Electric Forgiveness" INDEX 01 59:49:51 TRACK 15 AUDIO TITLE "The escape (running with Satriani mix)" PERFORMER "Electric Forgiveness" INDEX 01 63:34:52 TRACK 16 AUDIO TITLE "In my mind I'm going to California (forget the guitar mix)" PERFORMER "Electric Forgiveness" INDEX 01 66:09:11 TRACK 17 AUDIO TITLE "Intrigue at the peach house (answer the Doors mix)" PERFORMER "Electric Forgiveness" INDEX 01 69:29:37 TRACK 18 AUDIO TITLE "Dark side of the sun (Looking for Hackett mix)" PERFORMER "Electric Forgiveness" INDEX 01 72:50:60
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PERFORMER: auCDtect Task Manager, ver. 1.6.0 RC1 build 1.6.0.1Copyright (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.org
ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.
foobar2000 1.3.9 / Dynamic Range Meter 1.1.1log date: 2018-03-19 20:30:46
--------------------------------------------------------------------------------Analyzed: Electric Forgiveness / Echos & Booms--------------------------------------------------------------------------------
DR Peak RMS Duration Track--------------------------------------------------------------------------------DR5 0.00 dB -7.14 dB 3:24 01-In my mind I'm going to CaliforniaDR8 0.00 dB -9.47 dB 2:28 02-The escapeDR9 -0.57 dB -12.59 dB 1:37 03-Tangerine dreamsDR6 0.00 dB -7.80 dB 3:26 04-Intrigue at the peach houseDR10 0.00 dB -11.30 dB 2:29 05-Gilmour was pinkDR8 -0.28 dB -11.49 dB 7:19 06-MBA on LSDDR10 -1.32 dB -12.57 dB 4:09 07-Eno the discoDR7 -0.47 dB -9.70 dB 7:37 08-Valentine from a PorcupineDR10 -0.25 dB -12.25 dB 4:27 09-Morphine JelloDR10 -0.10 dB -13.56 dB 3:48 10-Syd Barrett bluesDR6 -0.60 dB -9.93 dB 3:56 11-StiglitzDR8 -0.47 dB -9.97 dB 6:18 12-Some of them chew the bark off tearsDR10 0.00 dB -12.04 dB 8:51 13-Britney Spears swallowed me tearsDR4 -0.41 dB -7.06 dB 3:45 14-Dark side of the sunDR7 -0.72 dB -9.48 dB 2:34 15-The escape (running with Satriani mix)DR6 -0.10 dB -9.00 dB 3:20 16-In my mind I'm going to California (forget the guitar mix)DR8 -0.75 dB -10.58 dB 3:21 17-Intrigue at the peach house (answer the Doors mix)DR7 0.00 dB -9.56 dB 3:50 18-Dark side of the sun (Looking for Hackett mix)--------------------------------------------------------------------------------
Number of tracks: 18Official DR value: DR8
Samplerate: 44100 HzChannels: 2Bits per sample: 16Bitrate: 904 kbpsCodec: FLAC================================================================================
Prolusion. ELECTRIC FORGIVENESS is a project that came about pretty accidentally. Jon Dawson had been working with John Bundrick (of The Who fame), as the latter contributed keyboards to some tracks on an album by Dawson's band Third of Never. At the end of that collaboration Dawson sent Bundrick some electronic tracks he had been working on, and Bundrick liked them and added some contributions of his own to these excursions. This eventually led to further collaborative efforts in the next year, with some additional input by Jeremy Morris of Jam Recordings, and in November 2008 the result was issued under the moniker Electric Forgiveness, titled "Echoes & Booms".
Analysis. This production is a rather intriguing affair and probably a rather surprising one as well for any fans of The Who that may stumble upon it. The first 5 creations on the disc, all pretty brief in length, are psychedelic tinged pieces filled with spacey textures and ambient explorations, pretty neat sounding but without inspiring any major emotions one way or another. But from the 6th number MBA on LSD and onwards we're taken on a spaced out journey the likes of which I've rarely encountered previously. The ambient moods and spacey textures are still very much in place, although with some, at times rather insistent, psychedelic additions, but the intensity is increased greatly, to the point of unreality in places. Spoken voices and samples are the key element added for these excursions. We're served a calm, spoken voice discussing various aspects and results of LSD (or acid if you like), with samples of what appears to be recordings of people using LSD and interviews with people about their experiences with the same substance. These spoken narratives and sampled voices are sometimes placed on top of the musical explorations and at other times placed back in the mix, with an at times pretty eerie mood as a result. The music itself shifts rather dramatically on these compositions as well. Tranquil, calm excursions are suddenly evolved into or shifted to energetic, hypnotic or dramatic sound collages, spacey and fluctuating patterns or techno-inspired danceable themes. Percussion, drums and instruments come and go, swirling synth sounds ebb and flow in intensity and distinct psychedelic tinged themes are built up – at times in a chaotic disarray of disharmonious and dissonant sound walls - to suddenly be replaced with silence, mellow percussion and even classical chamber music in one particular instance. In most cases the atmospheres created are disturbing as well as fascinating. Be it the most intense moments, with a calm spoken narrative against a musical backdrop consisting of several different melodies and rhythms blended together with fragmented melodic pieces making brief appearances in a chaotic dissonant and highly psychedelic sonic wall, or more peaceful space-tinged segments with the manic speaking and laughter of a person apparently on a major acid trip complementing and contrasting with the ambient soundscape. These excursions make an impact, and despite being taxing and at times highly challenging to listen to in a concentrated manner these sonic tapestries are fascinating in a very special kind of way too. The last regular track on this disc takes us back to the beginning of the album again, a calmer instrumental affair without spoken voices and samples - the end of the acid trip one might say. Four additional pieces follow at the tail end of the disc. These are variations on tracks elsewhere on the album, where various changes in instrumentation give these tunes a different atmosphere, although personally I can't say that these variations were any more or less fascinating than the original incarnations of these four numbers.
Conclusion. "Echoes & Booms" comes across as an album that tries to describe with music what an acid trip is like, with an electronic dominated musical landscape as the chosen vehicle to do so. A gentle starts leads on to some pretty intense excursions, equally disturbing, intriguing and fascinating to follow. The album has its fair share of highs and lows in more ways than one, but should interest people into tripping music in general and those comfortable with the electronic varieties of psychedelic and space-tinged music in particular.
John Bundrick – keyboards; guitar, bass; drums; loops Jon Dawson – keyboards; guitar, bass; percussion
with: Jeremy Morris: additional guitar on "Intrigue At The Peach House" Tony Stiglitz: drums on "Stiglitz"
Материал для раздачи предоставлен уважаемым ringo13, которому и следует адресовать благодарности.
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