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 Exact Audio Copy V0.99 prebeta 4 from 23. January 2008 

 Отчёт EAC об извлечении, выполненном 15. марта 2011, 23:57 

 Jones, Paul / Cruciax In A Horseshoes 

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 Режим чтения                 : ДостоверностьИспользование точного потока : ДаОтключение кэша аудио        : ДаИспользование указателей C2  : Нет 

 Коррекция смещения при чтении                     : 48Способность читать области Lead-in и Lead-out     : НетЗаполнение пропущенных сэмплов тишиной            : ДаУдаление блоков с тишиной в начале и конце        : НетПри вычислениях CRC использовались нулевые сэмплы : ДаИнтерфейс                                         : Встроенный Win32-интерфейс для Win NT/2000 

 Выходной формат          : Пользовательский кодировщикВыбранный битрейт        : 768 kBit/sКачество                 : ВысокийДобавление ID3-тэга      : НетУтилита сжатия           : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEДополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d 

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      Имя файла D:\http://рутраскер\Paul Jones - Crucifix In A Horseshoe\Jones, Paul - Crucifx In A Horseshoes.wav 

      Пиковый уровень 97.7 %     Качество диапазона 100.0 %     CRC копии E6FE55C6     Копирование... OK 

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 Трек  1  точность не определена (достоверность 1)  [5DB0C8B8], AccurateRip вернул [31731450]Трек  2  точность не определена (достоверность 1)  [762EE4BD], AccurateRip вернул [32E6DBEA]Трек  3  точность не определена (достоверность 1)  [8F8B6ADB], AccurateRip вернул [B9B9F18D]Трек  4  точность не определена (достоверность 1)  [F735AE64], AccurateRip вернул [039FBFF2]Трек  5  точность не определена (достоверность 1)  [F065E3E6], AccurateRip вернул [CA11EFFB]Трек  6  точность не определена (достоверность 1)  [7CE419E4], AccurateRip вернул [3B2B467C]Трек  7  точность не определена (достоверность 1)  [527818A0], AccurateRip вернул [D4F5FBB1]Трек  8  точность не определена (достоверность 1)  [F36A0C74], AccurateRip вернул [03970649]Трек  9  точность не определена (достоверность 1)  [221B199D], AccurateRip вернул [E159A2C0] 

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 Конец отчёта 
 

 
 REM GENRE CountryREM DATE 1971REM DISCID 73091B09REM COMMENT "ExactAudioCopy v0.99pb4"PERFORMER "Jones, Paul"TITLE "Cruciax In A Horseshoes"FILE "Jones, Paul - Crucifx In A Horseshoes.flac" WAVE  TRACK 01 AUDIO    TITLE "Life After Death"    PERFORMER "Jones, Paul"    INDEX 00 00:00:00    INDEX 01 00:00:33  TRACK 02 AUDIO    TITLE "Motel Blues"    PERFORMER "Jones, Paul"    INDEX 00 03:29:20    INDEX 01 03:32:25  TRACK 03 AUDIO    TITLE "And You Say I'm Too Dependent On My Mind"    PERFORMER "Jones, Paul"    INDEX 00 07:41:00    INDEX 01 07:43:65  TRACK 04 AUDIO    TITLE "Construction Workers Song"    PERFORMER "Jones, Paul"    INDEX 00 13:45:70    INDEX 01 13:48:25  TRACK 05 AUDIO    TITLE "Song (For Stan Stunning And The Noodle Queen)"    PERFORMER "Jones, Paul"    INDEX 00 19:43:60    INDEX 01 19:47:40  TRACK 06 AUDIO    TITLE "The Pod That Came Back"    PERFORMER "Jones, Paul"    INDEX 00 23:30:50    INDEX 01 23:33:13  TRACK 07 AUDIO    TITLE "The Mighty Ship"    PERFORMER "Jones, Paul"    INDEX 00 27:48:45    INDEX 01 27:52:13  TRACK 08 AUDIO    TITLE "Who Are The Masters"    PERFORMER "Jones, Paul"    INDEX 00 31:30:43    INDEX 01 31:32:68  TRACK 09 AUDIO    TITLE "Strangely Human Sound"    PERFORMER "Jones, Paul"    INDEX 01 35:05:53 
 

Paul Jones ( real name Paul Pond ) was a certified Pop star in the UK in the mid 60's as lead singer with Manfred Mann and then briefly as a solo artist following his role as Steven Shorter in the great youth culture film "Privilege" in 1966. After a his initial solo success his career began a slow and steady decline to where at a point in the late 60's some of his records were released only in Sweden. This seemed quite odd because Jones' had talent to burn, he possessed a superb voice that sounded at times like both David Bowie and Peter Hammill ( a little known fact is that Jones was once asked to be lead singer for The Rolling Stones prior to Mick Jagger joining ). Arthur Lee of Love has been quoted many times as being a major Paul Jones fan.

Paul 's first 3 solo album's "My Way", "Love Me, Love My Friends" and "Come Into My Music Box" all have some brilliant moments and are worth buying "Come Into My Music Box" being my favorite. Also look out for his 1968 single version of The Bee Gee's "And The Sun Will Shine" and it's sizzling freakbeat B-Side "The Dog Presides". But by 1971 Paul's career was in ashes, he did however manage to squeek out a final album "Crucifix In A Horseshoe" on the progressive Vertigo label ( on London in the States ) before dropping out of music for several years.
"Crucifix" is a great if somewhat understated record that pays numerous dividends with each listening. Side One begins with the Lp's lone 45 "Life After Death" which is a rousing Bowie sounding bit of blue eyed soul that could have hit if it were played on the radio which it wasn't. Coming next is a knockout version of Loudon Wainwright's "Motel Blues" ( also done by Big Star ) this is a haunting tale of a burnt out Rock and Roller stranded out on the road in some American outpost, it has some really nice guitar and organ touches and dynamite backing vocals by the late Vicki Sue Robinson of "Turn The Beat Around" fame. "And You Say I'm Too Dependent On My Mind" is a blusey funky piece that has a real Peter Hammill sound circa "Fool's Mate". The first side ends with a rather bizarre country-ish thing called "Construction Worker's Song" that would have not sounded out of place on the "Easy Rider" soundtrack.

Side 2 picks things up with "Song ( For Stan Stunning And The Noodle Queen )" whatever that is, it is in fact a lovely Bowie sounding number that really shows off Paul's impressive pipes. "The Pod That Came Back" has a blues/funk feel with traces of soul and it swings pretty nicely.
Next in line is "The Mighty Ship" which sounds like vintage 1966 Manfred Mann, this was the flipside to the failed "Life After Death" 45 and was equally potent. The record ends with 2 stunners, first is "Who Are The Masters" which again has a Peter Hammill sound that also sounds like a dead ringer for something off Family's "Entertainment" LP and what's that I hear? a kinda Doorsy keyboard riff and "Soft Parade" era horns!, Out Of Sight!!!

"Crucifix" saves the best for last with "Strangely Human Sound" which was co-written by someone named Rupert Holmes ( could this be the same cat who had a fluke USA hit with the truly awful "Pina Colada Song"? ), no matter either way because it's a haunting brilliant song that once again recalls vintage Family this time their "Music In A Doll's House" album, the track fades with eerie sound effects of a windstorm in the autumn.

You know looking at the back cover photo of "Crucifix" right now it looks quite similar to the back cover photo on Julian Cope's "World Shut Your Mouth" album, could it be that Julian is a secret Paul Jones freak? ( I sure hope so! ).

Joy Askew (vocals); Charlie Brown, Gary Boyle (guitar); Kenneth Kosek (acoustic guitar, fiddle); Thomas Jefferson Kaye (acoustic guitar, background vocals); Martin Kupersmith (acoustic guitar); Graham Preskett (violin); Selwart Clark, Jim Herd (viola); Buzz Brauner (recorder, oboe); Nisar Ahmad "George" Khan (alto saxophone); Joe Grimaldi (tenor saxophone); Artie Kaplan (baritone saxophone); Bert Collins, Weird Harold Liberman (trumpet); Don Corrado (French horn); Garnett Brown (trombone); Ted Wender (piano); Dave MacRae (keyboards); Robert Rizzo (bass guitar); Roy O'Temro (drums); Richard Crooks (percussion, background vocals); Joanne Vent, Gene McDaniels, Kenith Vance, Vicki Sue Robinson, Bobby Bloom (background vocals)