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Galfimbul
Anne-James Chaton with Alva Noto & Andy Moor / Décade
Жанр: Experimental, Minimal, Electronic, Spoken Word Носитель: CD Год издания: 2012 Издатель (лейбл): Raster-Noton Номер по каталогу: R-N 135 Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 00:42:26 Источник (релизер): RED Наличие сканов в содержимом раздачи: нет
Треклист: 1. Chapitre I: En Ville (10:35) 2. Chapitre II: US Border (1:01) 3. Chapitre III: Préparatifs (1:36) 4. Chapitre IV: In The ISS (7:07) 5. Chapitre V: Calculs (4:59) 6. Chapitre VI: On Stage (4:48) 7. Chapitre VII: Back In Town (4:04) 8. Chapitre VIII: Nihon No Tabi (8:16)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 24. March 2018, 20:51
Anne-James Chaton with Alva Noto and Andy Moor / Décade
Used drive : hp DVDWBD TS-LB23L Adapter: 1 ID: 0
Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : No
Read offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous track
Used output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
Anne-James Chaton with Alva Noto and Andy Moor / Décade
Used drive : hp DVDWBD TS-LB23L Adapter: 1 ID: 0
Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : No
Read offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous track
Used output format : User Defined EncoderSelected bitrate : 1024 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
REM GENRE ElectronicREM DATE 2012REM DISCID 6409F208REM COMMENT "ExactAudioCopy v1.0b3"PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor"TITLE "Décade"FILE "01 Chapitre I- En Ville.wav" WAVE TRACK 01 AUDIO TITLE "Chapitre I: En Ville" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100140 INDEX 01 00:00:00FILE "02 Chapitre II- US Border.wav" WAVE TRACK 02 AUDIO TITLE "Chapitre II: US Border" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100141 INDEX 01 00:00:00FILE "03 Chapitre III- Préparatifs.wav" WAVE TRACK 03 AUDIO TITLE "Chapitre III: Préparatifs" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100141 INDEX 01 00:00:00FILE "04 Chapitre IV- In the ISS.wav" WAVE TRACK 04 AUDIO TITLE "Chapitre IV: In the ISS" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100143 INDEX 01 00:00:00FILE "05 Chapitre V- Calculs.wav" WAVE TRACK 05 AUDIO TITLE "Chapitre V: Calculs" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100144 INDEX 01 00:00:00FILE "06 Chapitre VI- On Stage.wav" WAVE TRACK 06 AUDIO TITLE "Chapitre VI: On Stage" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100144 INDEX 01 00:00:00FILE "07 Chapitre VII- Back in Town.wav" WAVE TRACK 07 AUDIO TITLE "Chapitre VII: Back in Town" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100146 INDEX 01 00:00:00FILE "08 Chapitre VIII- Nihon No Tabi.wav" WAVE TRACK 08 AUDIO TITLE "Chapitre VIII: Nihon No Tabi" PERFORMER "Anne-James Chaton with Alva Noto and Andy Moor" ISRC DEAS91100146 INDEX 01 00:00:00
The collaboration of the poet Anne-James Chaton, guitarist Andy Moor and musician Alva Noto is a dense and structured sound design, in which words, rhythms, and melodic loops inexorably blend. Anne-James Chaton reads almost a litany of portraits of people, built from lists of events and objective facts. The list is set in several languages, deliberately repetitive, and becomes a continuous bass line on which the music builds up. The electronic sound structures of Alva Noto perfectly complement the incursions of Andy Moor‘s experimental guitar playing. Gradually, the prose, the guitar and machines resonate, culminating in a powerful storm both musical and harmonious.
The text consists of a collection of twenty portraits written throughout the last decade. These almost photographic sketches are fed from textual blueprints which met the author at some point in time: bank statements, subway tickets, restaurant and shopping receipts are rewritten in prose, composed in simple subject-verb-complements. Each piece of information becomes a sentence; all sentences are short and compact, and in fast succession, they gradually shape a story. Portraits of a nurse, a teacher, an educator, a singer, an astronaut, and many others are placed end to end. The assembly of parallel lives creates a continuous thread, providing a path to follow both extreme banality and great adventures. Actions, places and events are melted in the instance of a third person singular with no indication which is its true identity. It is a disturbance with many possible escape routes of dispersion and emergence.
The listener encounters the speeches of German, English, Japanese and other languages which introduce multiple shifts of meaning. The voice becomes pure sensation; in conjoint with the textures and improvisations delivered by the other musicians, it can submerge to the background and re-emerge again, being pure sonic material stripped off of its communicative function. The significance of words is lost in pure performance and proceeds as yet another texture in the sound.
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