Скачать через торрент музыку John Martyn - On The Cobbles - 2004, FLAC бесплатно без регистрации torrent

 
 Exact Audio Copy V1.0 beta 1 from 15. November 2010 

 EAC extraction logfile from 13. December 2011, 1:52 

 John Martyn / On The Cobbles 

 Used drive  : ASUS    DRW-24B1ST   Adapter: 0  ID: 0 

 Read mode               : SecureUtilize accurate stream : YesDefeat audio cache      : YesMake use of C2 pointers : No 

 Read offset correction                      : 6Overread into Lead-In and Lead-Out          : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks   : NoNull samples used in CRC calculations       : YesUsed interface                              : Native Win32 interface for Win NT & 2000 

 Used output format : Internal WAV RoutinesSample format      : 44.100 Hz; 16 Bit; Stereo 

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      Track |   Start  |  Length  | Start sector | End sector    ---------------------------------------------------------        1  |  0:00.00 |  3:28.12 |         0    |    15611        2  |  3:28.12 |  4:10.24 |     15612    |    34385        3  |  7:38.36 |  4:03.24 |     34386    |    52634        4  | 11:41.60 |  4:20.69 |     52635    |    72203        5  | 16:02.54 |  3:52.33 |     72204    |    89636        6  | 19:55.12 |  7:17.60 |     89637    |   122471        7  | 27:12.72 |  4:05.41 |    122472    |   140887        8  | 31:18.38 |  4:57.60 |    140888    |   163222        9  | 36:16.23 |  4:49.64 |    163223    |   184961       10  | 41:06.12 |  4:14.06 |    184962    |   204017 

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      Filename C:\EAC\John Martyn - On The Cobbles\John Martyn - On The Cobbles.wav 

      Peak level 98.8 %     Extraction speed 0.5 X     Range quality 99.9 %     Test CRC 35152CC7     Copy CRC 35152CC7     Copy OK 

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 ==== Log checksum 95646854284846A346F4FD83E43C330603C8CBD69A95849E1712ABAC86DCDF7A ==== 
 

 
 REM ACCURATERIPID 00107ae5-008623d6-830aa00aREM GENRE "Folk/Rock"REM DATE 2004REM DISCID 830AA00AREM COMMENT "ExactAudioCopy v1.0b1"PERFORMER "John Martyn"TITLE "On The Cobbles"FILE "John Martyn - On The Cobbles.flac" WAVE  TRACK 01 AUDIO    TITLE "Baby Come Home"    PERFORMER "John Martyn"    INDEX 01 00:00:00  TRACK 02 AUDIO    TITLE "Under My Wing"    PERFORMER "John Martyn"    INDEX 01 03:28:12  TRACK 03 AUDIO    TITLE "Ghosts"    PERFORMER "John Martyn"    INDEX 01 07:38:36  TRACK 04 AUDIO    TITLE "Back To Marseilles"    PERFORMER "John Martyn"    INDEX 01 11:41:60  TRACK 05 AUDIO    TITLE "Cobbles"    PERFORMER "John Martyn"    INDEX 01 16:02:54  TRACK 06 AUDIO    TITLE "My Creator"    PERFORMER "John Martyn"    INDEX 01 19:55:12  TRACK 07 AUDIO    TITLE "One For The Road"    PERFORMER "John Martyn"    INDEX 01 27:12:72  TRACK 08 AUDIO    TITLE "Go Down Easy"    PERFORMER "John Martyn"    INDEX 01 31:18:38  TRACK 09 AUDIO    TITLE "Walking Home"    PERFORMER "John Martyn"    INDEX 01 36:16:23  TRACK 10 AUDIO    TITLE "Goodnight Irene"    PERFORMER "John Martyn"    INDEX 01 41:06:12 
 

 
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 Path: ...\John Martyn - On The Cobbles (2004) FLAC 

 1 -=- John Martyn - On The Cobbles.flac -=- CDDA (100%) 

 140399012 
 

John Martyn's On the Cobbles is the warmest of folky blues, consistently impressive despite being recorded in eight different studios across England, Ireland and the USA. Occasionally, as with the sparse and haunted Ghosts, he even reaches the atmospheric peaks of his classic Solid Air. As is the fashion, there are several auspicious guests--Mavis Staples, Paul Weller and the Verve's Nick McCabe--but, really, none of them add much to a set that's alternately tortured, spacey and hugely romantic. Martyn is unarguably the star of this show, excelling both as the gruff blues moaner and soft balladeer, but also testing different ground with the Pink Floyd ambience of "Go Down Easy", the spiritual jazz of "My Creator" and the dark, rootsy "Cobbles", the latter's mournful backing vocals recalling those of Nick Cave and his Bad Seeds.

John Martyn is truly a survivor. Having in the past overcome such setbacks as a burst pancreas and a head-on collision with a cow, 2003 saw him suffer an undiscovered cyst that led to his right leg being amputated below the knee. Yet still his comeback, begun with the classy Glasgow Walker, continues. Martyn's ongoing trials have clearly given him a deeper appreciation of life and love as well as a painful understanding of the blues. His losses are our gain.~Dominic Wills

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Martyn's first album of new material in four years might be short (around 45 minutes), and one of the tracks has appeared before ("Baby Come Home," which was on a tribute to Scots singer Frankie Miller), but it's eminently satisfying, especially when you take into account that most of the vocals and guitar work were laid down after Martyn had his right leg amputated in spring 2003. He revisits his own past with "Go Down Easy," which was originally on Solid Air, although in this guise it's barely recognizable, transformed from an acoustic frippery into a meandering, atmospheric electric piece (this version was originally recorded in 1992 for a ballet). To the joy of longtime fans, there's plenty of Martyn's acoustic fretboard work on On the Cobbles, although it's not as prominent as it was in the '70s. But the free-and-easy love song "One for the Road" is a joy, as is the wistful "Back to Marseilles." A couple of guests do show up: Paul Weller on "Under My Wing," (arguably the best song Weller never wrote) where the former Jam man sounds nervous in the presence of the Big Man, and Mavis Staples roars on a cover of Leadbelly's "Goodnight Irene," although Martyn really doesn't need her help, putting forth a large, extremely soulful sound himself. His voice is the central thing here, and it continues to become a glorious instrument, slipping and slurring like a tenor horn, and fashioning beautiful lines. That's nowhere more apparent than on the album's two key tracks, "Ghosts" and "My Creator." The former is a meditation of mortality, full of trademark Martyn phrases and ideas, but executed with glowing restraint. "My Creator" is a kind of creed, truly words to live by, and the spiritual heir of "Solid Air." The jazziest cut on the album (former foil Danny Thompson plays double bass on it), it's dominated by horns to create an atmosphere of midnight blue, with Martyn wafting over the top in an irresistible manner. While On the Cobbles might be worth the price for that cut alone, the whole disc is a testament to a man who will never go gently into the good night.Review by Chris Nickson, Allmusic.com