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Skin:The Complete Guide to Digitally Lighting, Photographing, and Retouching Faces & Bodies. 2nd edition

Год: 2010
Автор: Lee Varis / Ли Варис
Жанр: фотообработка
ISBN: ISBN-10: 0470592125
Язык: Английский
Формат: PDF
Качество: Изначально компьютерное (eBook)
Количество страниц: 370

Описание: You may think you know, until you try to reproduce what you see. Differences in software, hardware, lighting, calibration—everything has an impact on color. And that's all before you confront the differences between people: young, old, male, female, different ethnicities, wearing makeup or not, wrinkled or tattooed—even their notions about what looks good!

In this new edition of his hot-selling guide, top Hollywood photo-illustrator Lee Varis guides you step by step through the maze. Find out how he lights, captures, color-corrects, and retouches images of people in all their variety—using the very latest Photoshop and Lightroom tools—and discover his secrets to making people look compelling in their own skin.

topics include:

Understanding the basics of digital capture and workflow

Starting with the right hardware and software settings

Developing your digital color "chops"

Mastering Rembrandt lighting, natural lighting, and other lighting techniques

Overcoming common digital skin problems, such as too much red

Composing shots, posing models, and taking formal portraits or candid shots

Trimming the fat, lighting up the eyes, and filling in wrinkles

Using new blur filters, creating a grunge look, and adding dazzling effects

Sharpening, soft proofing, and simulating, so you can print with success

Discovering what can and what can't be done in post-process

Learn new camera calibration techniques

Understand lighting for many different effects

Discover color-correction techniques for every type of skin

Learn new special effects like HDR Toning in Photoshop CS5

Описание: Достижение точных тонов кожи является одним из наиболее сложных задач в цифровой фотографии. Справьтесь с этой задачей с профессиональным фотографом Ли Варис, как он охватывает диапазон кожи: мужчины и женщины, молодые и старые, различные тона, в студии и на открытом воздухе, татуировки и многое другое. Его пошаговые обучающие программы и до и после иллюстрации демонстрируют различные методы на такие темы, как проблемы освещения в цифровой фотографии и что можно и нельзя делать в последующей обработке.


Chapter 1 Digital Imaging Basics, Workflow, and Calibration 1
Chips and Pixels 2
Your Monitor and Calibrator 6
Basic Digital Capture Workflow 7
Setting Up a Lightroom Catalog 8
Calibrating for Digital Capture 10
Building a Camera Calibration 22
Using Camera Profiles 29
Editing Camera Profiles for Better Skin Color 32
Working with Your Calibration 34
Calibration Review 36
Testing Procedure Overview 36
Putting Color Management in Context 37
Chapter 2 Lighting and Photographing People 41
Lighting Technology 42
Basic Portrait Lighting 47
Rembrandt Lighting 53
Natural Light 57
On-Camera Flash 60
Breaking the Rules 63
Advanced Lighting Techniques 65
Ring Light 65
Combination Lighting: Daylight Plus Flash 68
Controlling Natural Light 71
Action Stopping Lighting 78
Experimenting with Light 83
Chapter 3 The Color of Skin 87
White Points, Black Points, and Places In-Between 88
Zone System: Contrast and Tone 89
Neutral Color: Using Balanced Numbers 91
Curves: The Basic Color and Tone Tool 93
Contrast Control: The Basic Curve Shapes 94
Info Panel: Reading Basic Numbers 99
White/Black Point Correction 100
Adjusting the Numbers for the Color of Skin . . . . . . . . . . . . . . . . . . .103
The Family of Man: Cultural and Psychological Issues . . . . . . . . . . . 108
Cultural and Personal Color Bias . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
Chapter 4 Tone and Contrast: Color and B+W 117
Converting to B+W . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 118
The Channel Mixer 119
Split Channels: Layer Blending . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 123
Luminosity Blending . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
Instant Tan 128
When Color Overwhelms: Look for the Good Channel 131
Hue/Saturation Toning Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 138
Split-Toning 141
Gradient Map Colorizing 145
The Power of B+W . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 149
Chapter 5 Retouching 155
Basic Image Repair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .156
Hue/Saturation Color Repair . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Skin Smoothing 170
Beauty Retouching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 178
Subtle Retouching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 204
Figure Thinning Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 210
Chapter 6 Special Effects 219
Soft Focus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 220
Basic Diffusion Effect 220
Screen Diffusion 225
Multiply Diffusion 228
Overlay Diffusion 230
Depth of Field Effects 232
Lens Tilt Effect 242
Film Grain and Noise . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .251
Cross-Processing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
Grunge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 265
Tattoos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
Enhancing Existing Tattoos 270
Faking Tattoos 276
Final Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 280
Chapter 7 Preparing for Print 283
Sharpening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Unsharp Mask 284
Smart Sharpen 289
Multiple Sharpening Layers 292
Octave Sharpening 295
Overlay Sharpening and High-Radius Effects 300
Color Management for Print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Translating from RGB to CMYK 308
Profiles and Look-Up Tables 308
Soft Proofing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 310
Desktop Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 312
Print Options 312
Output Simulations 315
Creative Print Finishing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
Background and Canvas Options 317
Edge Treatments 317
Last Minute Fixes 323
Chapter 8 Parting Shots 329
The Creative Workflow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 330
Future Developments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 331
Index 335


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