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Umakiro
Asylum Street Spankers - My Favorite Record
Жанр: Alternative Country,Blues,Vintage Sound,Retro-Swing Год издания диска: 2002 Издатель (лейбл): Yellow Dog Records Страна: USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 44:46 Источник (релизер): name_unknown Наличие сканов в содержимом раздачи: да Треклист: 1. Monkey Rag 2. Antifreeze 3. Breathin' 4. Whatever 5. Mountain Town 6. Wingless Angels 7. Smile 8. Wammo's Blues 9. Insane Asylum 10. The Minor Waltz 11. No Song Sad Enough 12. My Favorite Record
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 21. January 2010, 21:44
Asylum Street Spankers / My Favorite Record
Used drive : ATAPI iHAS120 6 Adapter: 1 ID: 0
Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : No
Read offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous track
Used output format : User Defined EncoderSelected bitrate : 128 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\flac.exeAdditional command line options : -8 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=EAC FLAC -8" %s
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\01 - Monkey Rag.wav
Pre-gap length 0:00:04.00
Peak level 98.8 % Track quality 100.0 % Test CRC 68F06BAE Copy CRC 68F06BAE Cannot be verified as accurate (confidence 3) [8E8C4EDF], AccurateRip returned [431A4A32] Copy OK
Track 2
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\02 - Antifreeze.wav
Pre-gap length 0:00:00.86
Peak level 98.8 % Track quality 100.0 % Test CRC 3065A109 Copy CRC 3065A109 Cannot be verified as accurate (confidence 3) [30D74A4A], AccurateRip returned [BFEA4B64] Copy OK
Track 3
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\03 - Breathin'.wav
Pre-gap length 0:00:00.32
Peak level 98.8 % Track quality 100.0 % Test CRC 609183B1 Copy CRC 609183B1 Cannot be verified as accurate (confidence 3) [D9D6B71A], AccurateRip returned [28DA44AB] Copy OK
Track 4
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\04 - Whatever.wav
Pre-gap length 0:00:19.72
Peak level 98.8 % Track quality 100.0 % Test CRC 21F981B1 Copy CRC 21F981B1 Cannot be verified as accurate (confidence 3) [80F8CB43], AccurateRip returned [F5015861] Copy OK
Track 5
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\05 - Mountain Town.wav
Pre-gap length 0:00:14.64
Peak level 98.8 % Track quality 100.0 % Test CRC BB6C2399 Copy CRC BB6C2399 Cannot be verified as accurate (confidence 3) [B1A1E8A7], AccurateRip returned [10E5CF65] Copy OK
Track 6
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\06 - Wingless Angel.wav
Pre-gap length 0:00:00.04
Peak level 98.8 % Track quality 100.0 % Test CRC F9609AEA Copy CRC F9609AEA Cannot be verified as accurate (confidence 3) [45669C66], AccurateRip returned [35112BCE] Copy OK
Track 7
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\07 - Smile.wav
Pre-gap length 0:00:01.34
Peak level 98.8 % Track quality 100.0 % Test CRC 5424C3F7 Copy CRC 5424C3F7 Cannot be verified as accurate (confidence 3) [F8C67A56], AccurateRip returned [349DD02A] Copy OK
Track 8
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\08 - Wammo's Blues.wav
Pre-gap length 0:00:08.34
Peak level 98.8 % Track quality 100.0 % Test CRC 2ED08528 Copy CRC 2ED08528 Cannot be verified as accurate (confidence 3) [CC2DDEED], AccurateRip returned [25BA031E] Copy OK
Track 9
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\09 - Insane Asylum.wav
Pre-gap length 0:00:01.42
Peak level 98.8 % Track quality 100.0 % Test CRC FDFF7E0B Copy CRC FDFF7E0B Cannot be verified as accurate (confidence 3) [15050BC7], AccurateRip returned [2FC30881] Copy OK
Track 10
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\10 - The Minor Waltz.wav
Pre-gap length 0:00:17.25
Peak level 98.8 % Track quality 100.0 % Test CRC 43FB6219 Copy CRC 43FB6219 Cannot be verified as accurate (confidence 3) [8E34D553], AccurateRip returned [D830E3F2] Copy OK
Track 11
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\11 - No Song Sad Enough.wav
Pre-gap length 0:00:01.54
Peak level 98.8 % Track quality 100.0 % Test CRC 2A72E80B Copy CRC 2A72E80B Cannot be verified as accurate (confidence 3) [477FB3B6], AccurateRip returned [0E2117CD] Copy OK
Track 12
Filename G:\Lossless prepare\Asylum Street Spankers - My Favorite Record (2002) [FLAC]\12 - My Favorite Record.wav
Pre-gap length 0:00:00.26
Peak level 98.8 % Track quality 100.0 % Test CRC D0E23451 Copy CRC D0E23451 Cannot be verified as accurate (confidence 3) [9C654F94], AccurateRip returned [F16E7B81] Copy OK
No tracks could be verified as accurateYou may have a different pressing from the one(s) in the database
No errors occurred
End of status report
REM GENRE JazzREM DATE 2002REM DISCID AD0A7E0CREM COMMENT "ExactAudioCopy v0.99pb5"PERFORMER "Asylum Street Spankers"TITLE "My Favorite Record"FILE "01 - Monkey Rag.flac" WAVE TRACK 01 AUDIO TITLE "Monkey Rag" PERFORMER "Asylum Street Spankers" PREGAP 00:02:00 INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Antifreeze" PERFORMER "Asylum Street Spankers" INDEX 00 03:22:36FILE "02 - Antifreeze.flac" WAVE INDEX 01 00:00:00 TRACK 03 AUDIO TITLE "Breathin'" PERFORMER "Asylum Street Spankers" INDEX 00 03:12:04FILE "03 - Breathin'.flac" WAVE INDEX 01 00:00:00 TRACK 04 AUDIO TITLE "Whatever" PERFORMER "Asylum Street Spankers" INDEX 00 02:41:00FILE "04 - Whatever.flac" WAVE INDEX 01 00:00:00 TRACK 05 AUDIO TITLE "Mountain Town" PERFORMER "Asylum Street Spankers" INDEX 00 05:32:17FILE "05 - Mountain Town.flac" WAVE INDEX 01 00:00:00 TRACK 06 AUDIO TITLE "Wingless Angel" PERFORMER "Asylum Street Spankers" INDEX 00 03:51:62FILE "06 - Wingless Angel.flac" WAVE INDEX 01 00:00:00 TRACK 07 AUDIO TITLE "Smile" PERFORMER "Asylum Street Spankers" INDEX 00 04:08:74FILE "07 - Smile.flac" WAVE INDEX 01 00:00:00 TRACK 08 AUDIO TITLE "Wammo's Blues" PERFORMER "Asylum Street Spankers" INDEX 00 03:46:21FILE "08 - Wammo's Blues.flac" WAVE INDEX 01 00:00:00 TRACK 09 AUDIO TITLE "Insane Asylum" PERFORMER "Asylum Street Spankers" INDEX 00 04:09:42FILE "09 - Insane Asylum.flac" WAVE INDEX 01 00:00:00 TRACK 10 AUDIO TITLE "The Minor Waltz" PERFORMER "Asylum Street Spankers" INDEX 00 04:06:28FILE "10 - The Minor Waltz.flac" WAVE INDEX 01 00:00:00 TRACK 11 AUDIO TITLE "No Song Sad Enough" PERFORMER "Asylum Street Spankers" INDEX 00 02:32:24FILE "11 - No Song Sad Enough.flac" WAVE INDEX 01 00:00:00 TRACK 12 AUDIO TITLE "My Favorite Record" PERFORMER "Asylum Street Spankers" INDEX 00 03:43:71FILE "12 - My Favorite Record.flac" WAVE INDEX 01 00:00:00
Founded by Christina Marrs, Wammo and Guy Forsyth after a legendary party at the famous Dabbs Hotel along the Llano River in Texas, the band began by busking on the streets of Austin and playing for tips in bars. In their earliest days, the Spankers' repertoire consisted almost entirely of country, blues, jazz, swing and Tin Pan Alley songs dating from the 1890s to the 1950s with a particular emphasis on the 1920s and 1930s. While their tone was raucous and irreverent, the band was also known for its musicianship, theatricality and militant acousticism. Until 2004, they played the vast majority of their concerts without any amplification at all. Not only did this heighten the theatricality of their shows, it caused the musicians to develop inventive vocal and instrumental arrangements in order to constantly engage an audience in such a quiet performance. Several early members were actors and nearly all members have been multi-instrumentalists.
With the departure of Guy Forsyth in 1997, the Spankers began playing more original songs, most written in the roots styles the band had already mastered. By 1999, only Marrs and Wammo remained of the line up that gained popularity in Austin and around Texas. Reconstructing the band under their leadership, Marrs and Wammo began to expand the act's boundaries to include more cross-genre experimentation, more intricate arrangements and vocal harmonies, and, most successfully, more humorous songs, sometimes with pointed social and cultural commentary. Many of their albums from 1999 on have been musically or lyrically thematic. Spanker Madness, primarily country blues music about drug use, is generally pro-marijuana, but several songs examine the negative side of drug use and incisively criticize the War on Drugs. They have also released A Christmas Spanking; Mercurial, an album recorded live using technology and techniques of 1940s vintage; My Favorite Record, an album about their love of music; X-rated EPs; and an album of songs about children and childhood heavily inspired by Shel Silverstein and Maurice Sendak. The Spankers have covered songs by a wide range of artists including Prince, Tom Waits, Bob Dylan, The Beastie Boys, The B-52's, Black Flag, Louis Armstrong, Bessie Smith, Harry Nilsson, The Jazz Butcher, The Violent Femmes, George Jones, Nirvana, Nina Simone, Nine Inch Nails, Otis Redding, Screamin' Jay Hawkins and Johnny Cash. They are also known for throwing snatches of familiar songs into cut and paste sections of their own construction to form musical montages.
In 1999, Marrs and Wammo founded Spanks-a-Lot Records to release their music. Besides giving the group complete creative control, starting their own record label allowed the Spankers to increase the frequency of their releases, avoid the problems they had experienced with their three prior labels and keep a larger share of the profits derived from their recordings. This move was part of a trend amongst musicians allowed by the proliferation of digital recording technology and distribution. Spanks-a-Lot has released two DVDs documenting the group's live show, highlighting its musicianship and continually evolving theatricality.
Their theatricality reached its apex in January 2008 when the group premiered its stage show "What? And Give Up Show Biz?" off-Broadway at the Barrow Street Theatre.
If the 1990s' swing revival drew heavily from older styles of jazz, it also drew from the jug bands that re-emerged during the mid-'60s. In fact, listening to Wammo and Christina Marrs exchange lines on "Monkey Rag" reminds one of the male/female combo that worked so well for the Even Dozen Jug Band. There's a particularly spooky, soulful take of Willie Dixon's "Insane Asylum" with Marrs and Guy Forsyth sharing the lead, and the duo also delivers a bouncy take on the title track. Other songs written and sung by Marrs, like "Breathin'" and "No Song Sad Enough," capture a similar feel. Asylum Street Spankers, however, also draw from the blues, folk, and neo-traditionalism, creating a multi-layered music that never sticks to one genre for long. Forsyth's "Whatever" is a particularly bizarre piece that starts out like a bad protest song, only to evolve into the tale of a man who's willing to adopt a politically correct philosophy in order to bed a love interest. Stanley Smith's "Mountain Town" and Wammo's "Wingless Angels" move closer to alternative country, with banjo, harmonica, and dobro accompaniment. While most of these forays work well, the overall impact of My Favorite Record is somewhat disjointed. Asylum Street Spankers sound less like a band than a loose association that fragments into several bands. While this fragmentation lessens the impact of My Favorite Record, fans of retro-swing will nonetheless find a number of things to like about the album. -- Ronnie D.Lankford, Jr.(AMG)
Charlie King - vocals, banjo, dobro, mandolin, harmonica Josh Hoag - upright bass, mandolin Nevada Newman - vocals, guitar Scott Marcus - drums Wammo - vocals, washboard, harmonica Christine Marrs - vocals, ukulele, tenor banjo, tenor guitar, guitar
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