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avatar Galfimbul

Syndone / La Bella è la Bestia (The Beauty Is The Beast)
Жанр: Rock Progressivo Italiano
Год издания: 2012
Издатель (лейбл): AMS Records
Номер по каталогу: AMS 211 CD
Страна: Italy
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 46:30
Источник (релизер): CD (мой рип)
Наличие сканов в содержимом раздачи: да

1. Introitis (3:11)
2. Il Fiele E Il Limite (4:49)
3. Rosa Recisa (4:57)
4. Complice Carnefice (6:08)
5. Piano Prog Impromptu (1:23)
6. Tu Non Sei Qui (4:22)
7. Orribile Mia Forma (3:53)
8. Mercanti Di Gioia (4:13)
9. Bestia! (3:57)
10. Ora Respira (4:38)
11. La Ruota Della Fortuna (3:38)
12. Canto Della Rossa (1:16)
Rosa recisa Tu non sei qui Bestia! Orribile mia forma
|| syndone.it|| progarchives.com || prognaut.com || rateyourmusic.com ||
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 28. November 2012, 10:36

Syndone / La Bella e La Bestia (Beauty Is The Beast)

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TOC of the extracted CD

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Filename E:\bzp01\Syndone - La bella e la bestia (The Beauty Is the Beast)\Syndone - La Bella e La Bestia (Beauty Is The Beast).wav

Peak level 96.6 % Extraction speed 7.1 X Range quality 100.0 % Test CRC EF68A9E0 Copy CRC EF68A9E0 Copy OK

No errors occurred

AccurateRip summary

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PERFORMER: auCDtect Task Manager, ver. 1.5.1RC6 build (c) 2008-2010 y-soft. All rights reservedhttp://y-soft.org

ANALYZER: auCDtect: CD records authenticity detector, version 0.8.2Copyright (c) 2004 Oleg Berngardt. All rights reserved.Copyright (c) 2004 Alexander Djourik. All rights reserved.

FILE: Syndone - La Bella e La Bestia (Beauty Is The Beast).flac Size: 304309603 Hash: 327D8BF222C5D795401EF8FF16FF75F6 Accuracy: -m0 Conclusion: CDDA 99% Signature: 7B73A35B265E072487F039661A3F94DB780AD780
Syndone biography

Italian band Syndone is Nik Comoglio's one time project. Nico (Nik) Comoglio was born in Turin on 28/11/62. He was graduated as architect but at the same time privately studied piano and composition.

Still in University he created several jingles for ads and soundtracks for two semi-professional movies.

From 1990 to 1993, he formed the new prog band, "Syndone" ("Shroud"), with whom he recorded two CD's: "Spleen" and "Inca", produced by Beppe Crovella from "Arti & Mestieri" band, for the music label Vinyl Magic s.a.s. in Milano. Two other members were Paolo Sburlati- drums, and Fulvio Serra- bass.

Spleen - 1992

This CD is the story of a young man (Kiin) who experiences spleen (sad mood) everyday because of his inability to adapt to society and to the rules it imposes on him. It's a bit like the young boy of Pascoli's poetry: pure, perennially a child, suffering because reality is too hard for him.

The pettiness and the violence of the world, the total submission to a materialistic and oppressive father and the gradual loss of all the values he believes in projects Kiin into a parallel world of music; in fact, it will be through music and inspiration - personified by a young woman (Marianne) - that he will rediscover his values and the strength to begin to live again.

The music is based on vintage 70-s keyboards and all sound is similar to classic RPI of that time. Tony Seffusatti (accordion), Patrizia Caramazza (voc), Alessandra Piovera (voc.) were participated in album recording.

Inca - 1993

The second - and final - album of the group Syndone , Inca is definitely the one which comes closest to the acoustics and the progressive rock composition style of the 1970's. Inca isn't a concept album like Spleen, but brings independent, seemingly unrelated pieces together. The only unifying element is a more or less deliberate celebration of the indigenous South American civilization, its rituals and its holocaust.

On Inca, keyboardist Edo Rogani (ex- Empire) joins the original trio of Syndone. Brought in as support during live performances, he's become an integral part of the group and bring in sound characteristic dual keyboards attacks. Hammond, Moog and other keyboards built ELP - like atmosphere with slight jazzy arrangements, not-too-complex compositions and often bombastic vocals.

Later Nik disbanded the group, spend some time playing with blues musicians in London, and established own studio in Turin where he is recording music for adds, theatre, movies, and even solo album.

Syndone - La Bella e La Bestia (Beauty Is The Beast)
4.25 | 8 ratings | 0 reviews | 25% 5 stars - progarchives.com

The Review:
There is no doubt about it that Syndone leader Nik Comoglio (keyboards and orchestration) brings his rock opera experience to this grand release. It’s Italian trio Syndone’s own spin on The Beauty and the Beast with quite a different view. This concept work has the characters Belle, Father, The Beast, Narrator, and The Rose. Now I want to immediately squash any preconceived notion that this is a spoken word narration, or any sort of traditional story telling recording. It is not. In fact, the entire story is sung by Riccardo Ruggeri, who does a fantastic job of all the characters. At times I thought I was listening to the fabulous Claudio Milano (of Nichelodeon) since Riccardo has a very similar range and expansive vocal skills. To cover such a wide variety of characters (female, male, meek and beastly) by one vocalist takes not only discipline, but years of development. What a talent!
The three main members of Syndone are complimented here by a large number of guests featuring Moody Blues’ Ray Thomas on flute. The large group of musicians include cellos, brass, reeds and full orchestra. The compositions are complex and assorted. They use both ancient and vintage instruments to give all these different looks. The music is equal to the best Italian progressive rock opera style bands of the past and stretches far beyond those boundaries. For me, this is a far more consistent and heavy duty explorative progressive music masterpiece than I would have imagined. There is much happening music wise on “La Bella e La Bestia”, and then you have the story to keep up with. I can tell everyone that if you wish to just listen to the music and vocals, not even understanding or reading along with the story, you’ll have a wonderful listening experience. It has dozens of influences from Gobin, Nichelodeon, Banco, Area, Genesis, PFM, Il Baricentro, and more. With big doses of jazz and classical, some folk, the whole thing is as tight as a blood filled tick.

I am thrilled to find this so similar to one of my favorite Italian theatrical progressive bands Nichelodeon. The atmospheres are diverse and the music is frequently gorgeous, but just as quickly, it rushes you like a rogue wave with jazz fusion or an entry of a magical interlude, then a period piece with orchestra. Adventurous and magnificent in 46 Ѕ minutes, this is HIGHLY RECOMMENDED!

Reviewed by Lee Henderson on October 31st, 2012
Nik Comoglio: acoustic piano, rhodes piano, hammond, minimoog, distortion kbd, pipe organ, celesta, all keyboards - orchestration
Francesco Pinetti: vibraphone, marimba, timpani, glockenspiel, tubolar bells
Riccardo Ruggeri: vocal & lyrics, interpreting all characters
Special Guest Ray Thomas co-founder of The Moody Blues: flute

- Greg Walsh / flute
- Pino Li Trenta / drums
- Federico Marchesano / bass
- Umberto Clerici / cello
- Heike Schuch / cello
- Paola Perardi / cello
- Claudia Ravetto / cello
- Gomalan Brass Quintet / brass
- Paolo Porta / alto sax
- Marco Tardito / baritone sax
- Turin Filarmonica Orchestra

Трекер:  [ 09-Дек-2012 15:09 ]


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