Внимание!!! AdBlock блокирует показ некоторых скриншотов. Пожалуйста, все вопросы к разработчкикам
Автор
Сообщение
Galfimbul
Gerard / Gap Moe
Жанр: Neo-Prog Страна-производитель диска: Taiwan Год издания: 2012 Издатель (лейбл): Ultimate Номер по каталогу: CUL-5008 Страна: Japan Аудиокодек: APE (*.ape) Тип рипа: image+.cue Битрейт аудио: lossless Продолжительность: 00:24:30 Источник (релизер): домашние закрома Наличие сканов в содержимом раздачи: да Треклист: 1. Spotlight Kid - Rainbow 2. Heat of the Moment - Asia 3. In the Deadd of Night - UK 4. July Morning - Uriah Heep
Exact Audio Copy V1.0 beta 3 from 29. August 2011
Отчёт EAC об извлечении, выполненном 29. ноября 2012, 11:49
Gerard / Gap Moe
Дисковод: ASUS SDRW-08D1S-U Adapter: 1 ID: 0
Режим чтения : ДостоверностьИспользование точного потока : ДаОтключение кэша аудио : ДаИспользование указателей C2 : Нет
Коррекция смещения при чтении : 103Способность читать области Lead-in и Lead-out : НетЗаполнение пропущенных сэмплов тишиной : ДаУдаление блоков с тишиной в начале и конце : НетПри вычислениях CRC использовались нулевые сэмплы : ДаИнтерфейс : Встроенный Win32-интерфейс для Win NT/2000
AUDIOCHECKER v2.0 beta (build 457) - by Dester - <a href="mailto:[email protected]" class="postLink">[email protected]</a>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~-=== НЕ РЕДАКТИРУЙТЕ ЭТОТ ФАЙЛ! ===-
Путь: ...\Gerard (2012) - Gap Moe
1 -=- Gerard - Gap Moe.ape -=- CDDA (100%)
201678372
Доп. информация: Кавер-версии четырёх песен, четырёх, опять же, всем известных команд. Исполнено не плохо, однако, особого прорыва я не заметил, хотя это только моё мнение!
In the Eighties NOVELA was a pivotal Japanese band that gradually turned from heavy progressive into hardrock. Their keyboardist
Toshio Egawa left NOVELA to start his own band with a bunch of musicians from which guitarist/vocalist Yukihiro Fujimura was the
most important. The first two albums "Gerard" ('84) and "Empty Lie, Empty Dream" ('85) are masterpieces with Toshio Egawa (his
mother was a piano teacher) as the Japanese answer to the great keyboardplayers from the UK: he has the androgyn looks from Eddie
Jobson, the elegant virtuosity from Rick WAKEMAN and the bombastic approach from Keith EMERSON. An attempt to a description is "a
harder-edged mid-GENESIS". Their third LP "Irony of Fate" ('91) was a good effort to create a more original sound but sound less
symphonic. That's probalby why GERARD's next album "Save Knight by the Knight" and the mini-CD "Evidence of True Love" (both '94)
were presented as Toshio Egawa's GERARD. It contains strong and impressive synthesizerplay but the songs are a bit too predictable.
In '96 Toshio Egawa's GERARD returned in the world of progrock with new musicians: Atsushi Hasegawa (bass), Masuhiro Goto (drums)
and the hugh Canadian singer Robin G. Suchy. Their strong and compelling album "The Pendulum" ('96) is still highly acclaimed and
their next album "Pandora's Box" ('97) is also OK. Then the singer left and down to a trio GERARD released "Meridian" ('98), "Live
at Marseille" ('98) with the BANCO cover "La conquista della posizione erretta", "The Ruins of a Glass Fortress" (2000) and "Sighs
of the Water" (2002). The albums "Gerard" and "Empty Lie, Empty Dream" contain all the elements that makes progrock worth listening: good vocals,
beautiful keyboards (soft piano, heavy organ, sumptuous Mellotron or flashing synthesizer runs), moving and biting guitar play, a
strong and tight rhythm-section, spectacular breaks and alternating compositions with a lot of tension and variation. The longer
tracks contain a captivating building up, culminating in moving interplay between guitar and keyboards. The new line-up in '96
impressed with a dazzling rhythm-section as a foundation for the splendid keyboard pyrotechnics by Toshi Egawa, especially when
GERARD became a trio after the singer left. The magnificent CD "Meridian" was a special edition with old songs in new versions,
loaded with spectacular Eddie Jobson-like synthesizerplay, often so sharp that it sounds like a biting guitar! Altough "Live in
Marseille" is great with exciting and spectacular music GERARD gives the impression to run gradually out of ideas, the music sounds
less captivating and less creative on "The Ruins of a Glass Fortress" and "Sighs of Water". They need some fresh blood, for example
a singer or a guitarplayer, like in the first line-up.