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01 - How did it feel, making another album against the backdrop of 'Play' selling 10 million copies? (1:06)
02 - Was there a point when scale of the success of 'Play' actually hit you and you realised what it meant? (1:11)
03 - Did you have a sense of vindication about your success, because there have been times when people have been sceptical about what you do? (0:46)
04 - In retrospect, what are your feelings regarding the use of the music from 'Play' in advertising or film? (1:06)
05 - Following the commercial success of 'Play', how do you feel about the old cliché of wealth being corrosive to the soul? Do you find there's any truth in that? (1:31)
06 - When you came to make '18' did you have a really clear idea about what you wanted to do? (0:59)
07 - Were you planning '18' while you were touring, because you toured for two years pretty much beforehand? (0:50)
08 - After the release of 'Play', you were quoted as saying you wanted to make an album in the spirit of Bill Withers or Al Green meeting Massive Attack. Was that still in your mind when you actually started to make it? (0:59)
09 - Do you think the punk rock thing has gone forever? You laughed at the success of 'Everything Is Wrong', you made 'Animal Rights' and you said that was like a contrary thing to do. Do you think that now you've abandoned that kind of oppoditional thing? (0:51)
10 - So the kind of stuff that you were listening to that was feeding into this new record was old Soul and R&B? (0:36)
11 - The album was recorded from February 2001 to recently. What else was happening around that time? (1:26)
12 - How much of the material on '18' was written after September the 11th? (0:30)
13 - There's a wide range of musical styles on '18'. Was that a deliberate decision when you set out to make the record? (0:52)
14 - The new album deals with extreme emotions, which is what you've always done. How do you get yourself into the state of mind where you can produce that kind of material, when you have to do it every day? (1:34)
15 - Is there a direct correlation between what's going on in your life at the time and the way your music evolves or is it more a question of drawing on the history of the emotional experience? (0:29)
16 - In terms of putting this record together, did you bring in any other people as players or at a production level? (0:25)
17 - Do you ever consider the idea of working with other musicians? (0:29)
18 - On '18' did you want to make less obvious use of samples? (0:50)
19 - After the success of 'Play', you had a great abundance of possibilities. Was having such huge resources available to you a problem? (1:46)
20 - The album starts with 'We Are All Made Of Stars', which is a kind of euphoric, anthemic thing with guitars and synthesizers. How did that come about? (1:51)
21 - In terms of when you are looking for samples, what is the process? Do you have a library? (0:25)
22 - What are you looking for in a voice when you are searching for a suitable sample? (0:52)
23 - Which vocalists feature on 'Jam For the Ladies'? (0:56)
24 - 'Sunday (The Day Before My Birthday)', was that really the day before your birthday? Was that a literal title? (0:32)
25 - Does 'Sunday (The Day Before My Birthday)' feature a sampled vocal or performance? (0:32)
26 - Are you ever surprised at how well songs featuring vocal samples turn out? (0:54)
27 - Can you tell us about the piece you were asked to compose for the Olympics? (0:49)
28 - In order to write the piece for the Olympics did you have to visualise the event, because it was to be used for the moment they extinguish the torch. (0:29)
29 - 'Harbour' is the song with vocals from Sinéad O' Connor. How did you end up working with her? (0:36)
30 - Did you meet Sinéad and work with her on the track? (1:00)
31 - 'Great Escape' features another female vocalist. Who is that? (0:23)
32 - 'Fireworks' seems to hark back to some of the ambient minimalist instrumentals you've done previously. Is that area of music still an interest to you? (0:37)
33 - 'Extreme Ways' features one of the fullest lyrics on the album. Could you tell us something about this song? (0:54)
34 - Can you tell us something about 'Sleep Alone'? (1:11)
35 - What about 'At Least We Tried'? (1:16)
36 - Who sang the vocals on 'At Least We Tried'? (0:37)
37 - 'Look Back In' acts as a kind of musical interlude on the album. Did you compose the piece with this specific perpose in mind? (0:44)
38 - Towards the end of the album there are two songs, 'The Rafters' and 'I'm Not Worried At All', which seem to be a lot more joyful. Was that intentional? (1:27)
39 - Who was the vocalist on 'I'm Not Worried At All'? (0:11)
40 - Did you think the ammount of different musical influences on '18' make it a difficult album for the listener to understand? (1:15)
41 - Do you think that your life experiences have made it possible for you to make particularly moving music? (0:46)
42 - Previous albums have come with statements, essays on religion and animal rights. Is there going to be anything similar on this one? (1:15)
43 - Are you planning to tour this record as hard as you did with 'Play'? (1:18)
44 - Are you ready to go through the media treadmill all over again? (0:50)
45 - Do you think we're in a good phase for pop music at the moment or do you think it's harder for people who are unorthodox, like you are thought to be? (1:19)
46 - Do you have total confidence that you are achieving everything you want to achieve in life by working exclusively with music? (1:08)
47 - Is there anything that you particularly want to persue outside of music? (0:20)
48 - Do you have a long term plan - a long term Moby plan? (0:43)
49 - Why do you think you've collaborated with so many diverse artists over the course of your carreer? (1:30)
50 - Last question - so what would be better: an appearance in South Park or selling more than 10 million albums? (0:29)

01 - Why is your new album called "Hotel"? (1:26)
02 - Is "Hotel" your first album which contains no samples? (0:42)
03 - Do you think that there's some kind of overriding theme that runs through the album? (0:24)
04 - How would you say this album ralates to your previous album "18"? (0:54)
05 - Does the crytical reaction to your records affect how you make the next record? (1:19)
06 - This album opens and closes with instrumental pieces. Was there a specific reason for this? (0:49)
07 - Can you picture a hotel when you're thinking of this album or is it not as clear as that? (1:10)
08 - One of the highlights of "Hotel" is "Raining Again". Could you tell us anything about this one? (1:05)
09 - Some of the songs on the album seem to have a very special Bowie-esque quality about them. How much of an influence has David Bowie been on your life and music? (1:01)
10 - Could you tell us anything about the song "Beautiful"? Was there anybody or anything which inspired this one? (1:18)
11 - You've covered Joy Division in the past and there's a re-working of a New Order song on the album. Would you consider them to be a major influence on your music? (0:31)
12 - The first single from "Hotel" is "Lift Me Up". Could you tell us anything about this song? (2:22)
13 - Can you tell us anything about "Where You End"? (1:00)
14 - What abou the re-working of New Order's "Temptation"? (1:03)
15 - Could you tell us about "Dream About Me"? (1:26)
16 - "Very" has a real disco feel to it. How did that song come about? (0:48)
17 - Can you tell us anything about the song "I Like It"? (0:34)
18 - What about "Love Should"? (0:43)
19 - Another highlight of "Hotel" is "Slipping Away". Can you tell us anything about this song? (1:07)
20 - The limited edition of "Hotel" contains a bonus CD featuring your ambient material. Can you tell us anything about this? (0:39)
21 - Does ambient music work like that for you? The kind of therapeutic effect? (1:33)
22 - As well as recording your ambient music, you also record under the alias Voodoo Child. Is this there because you can't do everything that you want under the name Moby? (0:31)
23 What's stayed with you from punk rock? (0:39)
24 - What's stayed with you from acid house? (0:30)
25 - Is dance music dead? (0:39)
26 - What's the future for you after this record? (1:12)

01 - How did you select the tracks for your new album, "Go - The Very Best Of Moby"? (0:35)
02 - Is it fair to say that the tracklisting includes your most successful singles? (0:26)
03 - Which Greatest Hits or Best Of albums do you listen to yourself? (0:38)
04 - When you look back over your musical output in the last 15 years, do you see a common spirit or ambition to what you do? Could you define your underlying drive in making music? (0:50)
05 - In the press you're often described as controversial. Why is this? Do you feel controversial? (0:45)
06 - So have there been times when you've felt isolated, working in the medium of dance music? (0:24)
07 - Few artists would have essays about environmentalism or the dangers of fundamentalism as their sleeve notes, but it seems quite a natural thing for you to do that. You seem to be driven by a sense of integrity. Would you say that's accurate? (1:32)
08 - There also seems to be a search for profundity in your music and a belief that music can affect people really deeply. Is that an underlying element to what you do? (0:30)
09 - Although you're known for being a very engaged and conscious artist, is it important that you've kept this away from the actual music? You may be vegan, you may loath George Bush, but you don't sing about these things. (0:50)
10 - Your first musical influences seem to be mainly punk and new wave. What first attracted you about making dance music? (1:21)
11 - The title track of the new album is "Go". What gave you the idea of sampling the "Twin Peaks" theme on that song? (0:56)
12 - Another track on this album is "Feeling So Real". What led you to call an album "Everything Is Wrong"? (1:20)
13 - At the beginning of your career, you were best known for being the "vegan teetotal celibate Christian dance star". Can you talk a bit about what led you to make those lifestyle choices? (1:28)
14 - What prompted the quantum leap from making dance music to making the punk rock album "Animal Rights"? (0:54)
15 - Are you still proud of "Animal Rights"? (0:29)
16 - How did you come to record a James Bond theme? (0:38)
17 - Can we talk now specifically about "Play" and your memories of making "Play". Can you say what attracted you to the Lomax recordings of the 1930s Blues and Gospel singers? (0:58)
18 - What appealed about combining the Gospel voices with ultra-modern electronic music? (0:40)
19 - When you were making "Play", did you have any inkling you were making something with the potential to be a huge success, commercially? (1:11)
20 - Is it possible to say why tracks like "Why Does My Heart Feel So Bad?", "Natural Blues" and "Porcelain" pull at the heartstrings so much? (0:17)
21 - One of the biggest hits from "Play" was "Porcelain". Can you tell us anything about the background to this song? (0:28)
22 - One element in the success of "Play" was that a lot of the tracks were licensed to advertisements. How did that came about? (0:56)
23 - "Play" has now sold over 10 million copies. After years of struggle, how did you initially react to such a colossal success? (0:57)
24 - Huge success can often change people for the worst. Was there a danger of that with you or have you managed to stay fairly grounded throughout the whole experience? (0:59)
25 - You also seem to be a person with a degree of shyness and a very high degree of self-awareness. Do these qualities sit well with celebrity? (1:30)
26 - How difficult was it to follow up a huge record like "Play"? (0:48)
27 - "18" has been described as being musically similar to "Play". Would you say that was fair? (1:19)
28 - "We Are All Made Of Stars" is a very beautiful track. Can you tell us a little bit about it? (1:03)
29 - On the last album "Hotel", you seemed to make a lot less use of samples. Was there any particular reason for that? (0:46)
30 - "Hotel" also featured you singing quite a lot more. Is singing something that you enjoy? (0:36)
31 - "New York, New York" features guest vocals by Debbie Harry. How did this collaboration come about? (0:39)
32 - Did you have Debbie in mind when you wrote the song? (0:17)
33 - Would you describe yourself as a big Blondie fan? (0:23)
34 - Around the time that "18" came out you claimed you'd written about three thousand songs in your life to date. Are you still so prolific? (0:57)
35 - Of all the videos you've made, which is the most memorable and why? (0:29)
36 - Your music makes a lot of people very happy and moves them a great deal. Is this something that you give thought to and does this make you happy? (1:07)
37 - If you could pinpoint one moment as the personal highlight of your career to date, what would that be? (0:27)
38 - What would you be doing if you weren't a musician and why? (0:44)
39 - Finally, what's next after the Best Of? (0:33)