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Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

Отчёт EAC об извлечении, выполненном 16. марта 2013, 10:06

Mark 1 / Absolute Zero

Дисковод: ASUS DRW-24B5ST Adapter: 0 ID: 1

Режим чтения : ДостоверностьИспользование точного потока : ДаОтключение кэша аудио : НетИспользование указателей C2 : Да

Коррекция смещения при чтении : 6Способность читать области Lead-in и Lead-out : НетЗаполнение пропущенных сэмплов тишиной : ДаУдаление блоков с тишиной в начале и конце : НетПри вычислениях CRC использовались нулевые сэмплы : НетИнтерфейс : Установленный внешний ASPI-интерфейс

Выходной формат : Пользовательский кодировщикВыбранный битрейт : 768 kBit/sКачество : ВысокийДобавление ID3-тэга : НетУтилита сжатия : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXEДополнительные параметры : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d

TOC извлечённого CD

Трек | Старт | Длительность | Начальный сектор | Конечный сектор --------------------------------------------------------------------- 1 | 0:00.00 | 7:32.09 | 0 | 33908 2 | 7:32.09 | 4:34.24 | 33909 | 54482 3 | 12:06.33 | 6:08.64 | 54483 | 82146 4 | 18:15.22 | 4:46.13 | 82147 | 103609 5 | 23:01.35 | 7:01.18 | 103610 | 135202 6 | 30:02.53 | 4:26.46 | 135203 | 155198 7 | 34:29.24 | 2:42.62 | 155199 | 167410 8 | 37:12.11 | 3:44.36 | 167411 | 184246 9 | 40:56.47 | 4:25.45 | 184247 | 204166 10 | 45:22.17 | 9:32.23 | 204167 | 247089

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Выбранный диапазон

Имя файла C:\Downloads\лосыки для неопрога\Mark 1 - Absolute Zero 2001\Mark 1 - Absolute Zero 2001.wav

Пиковый уровень 98.8 % Качество диапазона 99.9 % CRC копии 90FCE8D3 Копирование... OK

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AccurateRip: сводка

Трек 1 нет в базе данныхТрек 2 нет в базе данныхТрек 3 нет в базе данныхТрек 4 нет в базе данныхТрек 5 нет в базе данныхТрек 6 нет в базе данныхТрек 7 нет в базе данныхТрек 8 нет в базе данныхТрек 9 нет в базе данныхТрек 10 нет в базе данных

Ни одного трека нет в базе AccurateRip

Конец отчёта

REM GENRE "Symphonic Rock"REM DATE 2001REM DISCID 840CDE0AREM COMMENT "ExactAudioCopy v0.99pb5"PERFORMER "Mark 1"TITLE "Absolute Zero"FILE "Mark 1 - Absolute Zero 2001.flac" WAVE TRACK 01 AUDIO TITLE "Through the Looking Glass" PERFORMER "Mark 1" INDEX 01 00:00:00 TRACK 02 AUDIO TITLE "Again and Again" PERFORMER "Mark 1" INDEX 01 07:32:09 TRACK 03 AUDIO TITLE "Oscar the Office Supply Thief" PERFORMER "Mark 1" INDEX 01 12:06:33 TRACK 04 AUDIO TITLE "Exodus" PERFORMER "Mark 1" INDEX 01 18:15:22 TRACK 05 AUDIO TITLE "The Mind Eraser" PERFORMER "Mark 1" INDEX 01 23:01:35 TRACK 06 AUDIO TITLE "Ultramodern Blues" PERFORMER "Mark 1" INDEX 01 30:02:53 TRACK 07 AUDIO TITLE "Easy Way Out" PERFORMER "Mark 1" INDEX 01 34:29:24 TRACK 08 AUDIO TITLE "Showdown" PERFORMER "Mark 1" INDEX 01 37:12:11 TRACK 09 AUDIO TITLE "Identity Crisis" PERFORMER "Mark 1" INDEX 01 40:56:47 TRACK 10 AUDIO TITLE "Meltdown" PERFORMER "Mark 1" INDEX 01 45:22:17

All music and lyrics written by Mark I. Arranged and produced by Mark I. Engineered by C.Molinski at the "Briar Patch" studio, Gloucester, between July and December 2000.

Prologue. These American guys are very young (at least they look like schoolboys), but the ambitions they have look seriously already now. So I won"t make any allowance for their age in the review of their debut album, especially since the guys themselves let me know they"re ready to accept any criticism as a matter of course (i.e. to be cursed if they really deserve it) already in advance - just after they sent me their material. Frankly, I"ve met such brave guys, but musicians with an ideology this right, for the first time, though I mounted the guard of ProgressoR - the Battle Station On the Virtual Rock Front - two and a half year ago, on October the 1st of 1998.

The album.In the covering letter to their debut CD "Absolute Zero" the guys of Mark I characterize their music as "Ultramodern Rock with echoes of such giants as Genesis, Yes and Pink Floyd". To me, things become really clear just after a few listens to the album. I don"t find in the music of Mark I any more or less obvious "echoes" of Yes and Pink Floyd, but then I"ve found a distant echo (that the guys didn"t listed yet) of Michael Jackson - in lead vocals parts and in vocal harmonies (as well) on the two first tracks - "Through the Looking Glass" and "Again and Again". And both the last compositions on the album more than just "confirm" what the guys mentioned as Genesis echoes. The ninth track Identity Crisis was composed the way typical for Genesis circa "Duke", including very Banks-alike solos (not so virtuosic, though) and all the vocal lines (but excluding vocal tones that don"t remind of Gabriel"s or Collins"s). Meltdown, the last track, contains just keyboard solos a-la Banks, whereas all the other structures are the same that feature all previous tracks - from the first to the eighth, and these are quite original and even innovative in some ways structures. Also, beginning with the third track any vocal similarities with Jackson are "missed" and up to the eighth one. Asking myself, why have the guys decided to place their truly original songs in the middle of the album - between not too successful "introduction" (to their music!) and "conclusion", I find that their problem is typical for most of the beginners in general. Trying to go a few different ways on their very first ProGduction, actually these talented boys are just still on the way to find the final form of their music. All the middle 6 songs of "Absolute Zero" are just excellent examples of (not too complex, but) original, on the whole, Art Rock with some really innovative ideas. All these 6 songs were composed and performed in united stylistics, that actually shows that the guys go their own way in terms of style already on the debut album.

Summary.Thus, routinely developing their compositional and (especially) +performing craftsmanship on the basement of the middle part of "Absolute Zero", the band will probably be able to reach a "major" cult status within the Progressive Rock movement already in a few years. But currently, if drummer Chris Molinski is positively amazing on the album, both his colleagues Kyle Jones and Robert Difazio keep pace with precision, but without any virtousity, to put it mildly. Also I guess, being in the current formation of trio, Mark I is not able at all to play live. But, I"d earnestly recommend the Mark I trio would become at least a quartet with a free bass guitar player not only in this connection, of course.

VM. March 21, 2001

Kyle Jones - lead vocals, keyboards, bass;
Chris Molinski - drums & percussion, vocals, programming;
Robert Difazio - electric guitar, vocals